9 thoughts on “ 96. The Second Part - Captaine Tobias Hvme*, Jordi Savall - Musicall Humors (CD, Album) ”

1. Label: Astrée Auvidis - E • Format: CD Album • Country: France • Genre: Classical • Style: Renaissance Captaine Tobias Hvme*, Jordi Savall - Musicall Humors (, CD) | Discogs .

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2. Discover releases, reviews, track listings, recommendations, and more about Captaine Tobias Hvme*, Jordi Savall - Musicall Humors at Discogs. Complete your Captaine Tobias Hvme*, Jordi Savall collection/5(6).

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3. Jordi Savall first made a recording of 13 of these solo pieces back in on Astrée Captaine Tobias Hume: Musicall Humours , which is probably no longer available. But, in March he re-made the entire contents of that album for this Alia Vox, with 7 additional items as well, and which sounds a whole lot better/5(12).

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4. Find album reviews, stream songs, credits and award information for Captaine Tobias Hume: Musicall Humors - Jordi Savall on AllMusic - - In all likelihood, Tobias 9/

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5. Not to slight this album, it is quite good, BUT it was recorded in ; in Jordi Savall remade all 13 of the items on this disc, plus 7 more, for Alia Vox, and that is a really wonderfully sounding collection which quite outclasses this one Hume: Musicall Humors, London /5(6).

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6. The Second Part (96) Loves Farewell (47) The Duke Of Holstones Almaine (6) (viola da gamba) Jordi Savall's long-awaited follow-up to his recording of 13 pieces from Tobias Hume: Musicall Humors is this recording of piece from Tobias Hume: Musicall Humors. The former disc was one of the most beautiful.

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7. Check out Jordi Savall on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.

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8. Tobias Hume () Musicall Humors, London Jordi Savall (viola da gamba) Enregistrements réalisés du 21 au 23 Mars à la Collégiale .

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9. Jordi Savall is among the leading instrumentalists and conductors of the European early music scene, specializing in Renaissance, Baroque, and Medieval music. He took an interest in early music, and began learning the viola da gamba. He studied the gamba and early music research and practice with Wieland Kuijken in Brussels and August Wenzinger at the Schola Cantorum .

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